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REED-L  January 1996

REED-L January 1996

Subject:

Conference Announcement (fwd)

From:

Abigail Ann Young <[log in to unmask]>

Reply-To:

REED-L: Records of Early English Drama Discussion

Date:

Wed, 10 Jan 1996 11:54:09 -0500

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (299 lines)

Records of Early English Drama/ Victoria College/ 150 Charles Street W
Toronto Ontario Canada
Phone (416) 585-4504/FAX (416) [log in to unmask]
http://www.epas.utoronto.ca:8080/~reed/reed.html => REED's home page
http://www.epas.utoronto.ca:8080/~reed/reed-l.html => REED-L's home page
 
 
---------- Forwarded message ----------
Date: Tue, 9 Jan 1996 08:51:41 -0500
From: Prof. Wm. Bowen <[log in to unmask]>
To: Multiple recipients of list FICINO <[log in to unmask]>
Subject: Conference Announcement
 
=09ANNOUNCING
 
 
=09THE MIDDLE AGES IN CONTEMPORARY POPULAR CULTURE
 
=09An Interdisciplinary Conference
 
=09McMaster University
=09Hamilton, Ontario, Canada
=09March 29-31, 1996
 
=09Keynote Speaker:  Derrick de Kerckhove
=09Director of the McLuhan Program in Culture and Technology
=09University of Toronto
 
This conference will explore the general theme of "The Middle Ages in=20
Contemporary Popular Culture." This theme is intended to be as open-ended=
=20
as possible and will be approached from many directions. Topics include,=20
but are not limited to:
 
*Marketing the Middle Ages in music (Gregorian chant, Hildegard of=20
Bingen), novels, movies,TV series, video games and CD-ROM
*New Millenarianisms, Satanic cults and witchcraft
*The Middle Ages in nationalist ideologies
*The Middle Ages as an attraction for tourists: visits to archeological=20
sites, medieval fairs, feasts and pageants.
 
A number of special cultural events are also planned, including musical=20
performances, films, a display of books, videos and interactive=20
multimedia products.
 
To register or receive further information, please contact:
 
Madeleine Jeay=09=09=09=09Susan Fast
Department of French=09=09=09School of Art, Drama and Music=20
McMaster University=09=09=09McMaster University
Hamilton, On. Canada L8S 4M2=09=09Hamilton, On. =20
Canada L8S 4M2
Tel: (905) 525-9140 ext. 2375=09=09Tel: (905) 525-9140 ext. 23670 =20
e-mail: [log in to unmask]:[log in to unmask]
ca
 
=09=09=09FAX: (905) 577-6930
=09=09=09http:\\www.mcmaster.ca
 
Presented by the McMaster Working Group on the Middle Ages and Renaissance
 
***************************************************************************=
**************************************
=09ANNONCE
 
 
=09LE MOYEN =C2GE DANS LA CULTURE POPULAIRE CONTEMPORAINE
 
=09Conf=E9rence interdisciplinaire
 
=09Universit=E9 McMaster
=09Hamilton, Ontario, Canada
=0929-31 mars, 1996
 
=09Intervenant principal:  Derrick de Kerckhove
=09Directeur du McLuhan Program in Culture and Technology
=09Universit=E9 de Toronto
 
La conf=E9rence se penchera sur le th=E8me g=E9n=E9ral: "Le moyen =E2ge dan=
s la=20
culture populaire contemporaine". Il s'agit d'un th=E8me ouvert qui sera=20
abord=E9 =E0 partir d'approches aussi diverses que:
 
*La commercialisation du Moyen =E2ge dans la musique (chant gr=E9gorien,=20
Hildegarde de Bingen),le roman, le cin=E9ma, les s=E9ries t=E9l=E9vis=E9es,=
 les=20
jeux vid=E9os et les CD-ROMs.
*Les nouveaux mill=E9narismes, les cultes sataniques et la sorcellerie.
*Le Moyen =E2ge dans les id=E9ologies nationalistes.
*Le Moyen =E2ge comme attraction pour touristes: visites des sites=20
arch=E9ologiques, f=EAtes m=E9di=E9vales
=09et banquets.
 
Sont aussi pr=E9vues au programme les activit=E9s suivantes: performances=
=20
musicales, films, exposition de livres, vid=E9os et produits multim=E9dia.
 
Pour vous inscrire ou recevoir plus d'information, veuillez contacter:
 
Madeleine Jeay=09ou=09=09=09Susan Fast
D=E9partement de Fran=E7ais=09=09=09School of Art,Drama and Music=20
Universit=E9 McMaster=09=09=09McMaster University
Hamilton, On. Canada L8S 4M2=09=09Hamilton, On. =20
Canada L8S 4M2
Tel: (905) 525-9140 ext. 23754=09=09Tel: (905) 525-9140 ext. 23670 =20
e-mail:[log in to unmask] e-mail:[log in to unmask]
 
=09FAX: (905) 577-6930
=09http:\\www.mcmaster.ca
 
=09Une pr=E9sentation du Groupe de Travail sur le Moyen age et la=20
Renaissance (McMaster).
***********************************************************************
LIST OF PARTICIPANTS AND PAPERS:
 
 
AVRUTIN Lily=09=09=09=09University of Alberta
=09=09=09=09=09The Artist as God's Fool;=20
=09=09=09=09=09The Case of Andrei Roublev=20
=09=09=09=09=09by Andrei Tarkovsky.
=09=09=09=09=09=09
B=C9DARD Marie-Christine=09=09=09Universit=E9 Laval, Qu=E9bec
=09=09=09=09=09Les M=E9di=E9vales de Qu=E9bec=20
=09=09=09=09=09comme terrain d'exp=E9rimentation=20
=09=09=09=09=09de la communication de l'histoire.
 
BLAIN Jenny=09=09=09=09Dalhousie University
=09=09=09=09=09Witchcraft, Magic and=20
=09=09=09=09=09Religion:  Some Discursive =09
=09=09=09=09=09Reconstructions of Belief and Practice.
 
BRAY Dorothy=09=09=09=09McGill University, Montr=E9al
=09=09=09=09=09The Beowulf Conceit in=20
=09=09=09=09=09Terminators 1 and 2.
 
BRENT Robert=09=09=09=09University of Western Ontario
=09=09=09=09=09I'm So Hot for Her and=20
=09=09=09=09=09She Is So Cold:  Petrarch and the=20
=09=09=09=09=09Rolling Stones.
 
CAPPS Sandra E.=09=09=09=09University of Tennessee, Knoxville
=09=09=09=09=09Glastonbury: Medieval,=20
=09=09=09=09=09Modern and New Age.
 
CASH John=09=09=09=09Indiana University
=09=09=09=09=09Structure and Authenticity=20
=09=09=09=09=09in the Current Middle Ages.
 
CHAREST R=E9my=09=09=09=09Universit=E9 Laval, Qu=E9bec
=09=09=09=09=09Perceptions et critiques=20
=09=09=09=09=09historiques des "M=E9di=E9vales" dans=20
=09=09=09=09=09les medias.
 
DARRUP Cathy C.=09=09=09=09City University of New York
=09=09=09=09=09Did God Paint You? The=20
=09=09=09=09=09Past as African Identity in Robin Hood,=20
=09=09=09=09=09Prince of Thieves.
 
de KERCKHOVE Derrick=09=09=09University of Toronto
=09=09=09=09=09The Electronic Middle Ages
 
DUFRESNE Lucy=09=09=09=09Universit=E9 d'Ottawa
=09=09=09=09=09Which Witch is Which?=20
=09=09=09=09=09Recasting Historical Nightmares=20
=09=09=09=09=09as Utopian Visions.
 
ERISMAN Wendy=09=09=09=09University of Texas at Austin
=09=09=09=09=09For My Lady's Honour:=20
=09=09=09=09=09Gender, Performance and the=20
=09=09=09=09=09Reproduction of Social Power in a=20
=09=09=09=09=09Medieval Re-Creation Society.
 
EVERETT William A.=09=09=09Washburn University, Topeka, Kansas
=09=09=09=09=09Images of Arthurian=20
=09=09=09=09=09Britain in the American Musical=20
=09=09=09=09=09Theatre: A Connecticut Yankee=20
=09=09=09=09=09and Camelot.=20
 
FLINT Catrena=09=09=09=09McGill University, Montr=E9al
=09=09=09=09=09Romancing Hildegard: Postmodern=20
=09=09=09=09=09Appropriations of a Medieval Composer.=20
 
GOLINI Vera=09=09=09=09St. Jerome's College, Waterloo
=09=09=09=09=09Petrarch to Elvis: Love=20
=09=09=09=09=09Lyrics Then and Now.=09=09
 
GREGORY Christine=09=09=09Florida Intenational University, Miami
=09=09=09=09=09"So You Thought WE Have=20
=09=09=09=09=09it Bad!" Dysfunctional, Corrupt and=20
=09=09=09=09=09Brutal: Medieval Life in the  Lion in=20
=09=09=09=09=09Winter and Braveheart.
 
HARLEY Maria Anna=09=09=09McGill University, Montr=E9al
=09=09=09=09=09Romancing Hildegard: Postmodern=20
=09=09=09=09=09Appropriations of a Medieval Composer.=20
 
JEAY Gr=E9goire=09=09=09=09Orchestre Baroque de Montr=E9al
=09=09=09=09=09Concert with Carolyn Sinclair=20
=09=09=09=09=09and the McMaster Dancers.=20
 
KENDRIS Theodore=09=09=09Universit=E9 Laval, Qu=E9bec
=09=09=09=09=09Merlin, Sherlock Holmes and Mr. Spock: The Three=20
=09=09=09=09=09Wise Men of Western Culture.
 
KERSLAKE Geoffrey P.=09=09=09University of Guelph
=09=09=09=09=09Popular Culture's Ignored=20
=09=09=09=09=09Genre: The Middle Ages in=20
=09=09=09=09=09Role-Playing Games
 
KNIGHT Graham=09=09=09=09McMaster University, Hamilton
=09=09=09=09=09High-Tech Feudalism: =20
=09=09=09=09=09Warrior Culture and Science=20
=09=09=09=09=09Fiction Televison.=20
 
KOLOZE Jeff=09=09=09=09Cleveland State University
=09=09=09=09=09Male "Bondage" or "Bonding": Malory's=20
=09=09=09=09=09Depictions of Men and their=20
=09=09=09=09=09Relationship to Men of Today.
 
KREUZIGER-HERR Annette=09=09=09University of Hamburg, Germany
=09=09=09=09=09The Presence of the Past=20
=09=09=09=09=09in the Present; Medieval=20
=09=09=09=09=09Music in the Twentieth Century.
 
LEWIS David Charles=09=09=09University of Toronto
=09=09=09=09=09The Return of Charlemagne;=20
=09=09=09=09=09The Middle Ages, the European=20
=09=09=09=09=09Idea and the European Right.
 
LIFSCHITZ Felice=09=09=09Columbia University
=09=09=09=09=09Welcome to Medieval Life:=20
=09=09=09=09=09Crafts, Dungeons and Instruments=20
=09=09=09=09=09of Torture in Sunny Florida.
 
MARKEWITZ Darrell=09=09=09The Wareham Forge
=09=09=09=09=09Historical Interpretation=20
=09=09=09=09=09and Experimental Archeology=20
=09=09=09=09=09in the Society for=20
=09=09=09=09=09Creative Anachronism.
 
MULHBERGER Steven=09=09=09Nipissing University
=09=09=09=09=09The Middle Ages As They=20
=09=09=09=09=09Were or As They Should Have Been?=09=09
 
NEWMAN Sharan=09=09=09=09Michigan State University
=09=09=09=09=09Beyond Camelot and=20
=09=09=09=09=09Chretien de Troyes: A Social=20
=09=09=09=09=09Historian's Use of the Novel to=20
=09=09=09=09=09Teach the Middle Ages.
 
NOBLE James=09=09=09=09University of New Brunswick
=09=09=09=09=09The Realm of King Arthur=20
=09=09=09=09=09in the Silly Season.
 
PEDERSON Kristen=09=09=09University of Toronto
=09=09=09=09=09Magic, Power and Women's=20
=09=09=09=09=09Sexuality in Medieval Scandinavia.
 
RABINOVITCH Shelley=09=09=09Universit=E9 d'Ottawa
=09=09=09=09=09Which Witch is Which?=20
=09=09=09=09=09Recasting Historical Nightmares=20
=09=09=09=09=09as Utopian Visions.
 
RIBORDY Genevi=E8ve=09=09=09Universit=E9 Laval, Qu=E9bec
=09=09=09=09=09Le guide: un trait=20
=09=09=09=09=09d'union entre la culture=20
=09=09=09=09=09savante et la culture populaire.
 
ROCHER Marie-Claude=09=09=09Universit=E9 Laval, Qu=E9bec
=09=09=09=09=09F=EAtes populaires et histoire.
 
SAMPLASKI Artie=09=09=09=09University of Indiana
=09=09=09=09=09The Middle Ages, Our=20
=09=09=09=09=09Current Age and the Current=20
=09=09=09=09=09Middle Ages.
 
 
SCHUBERT Linda=09=09=09=09University of Michigan
=09=09=09=09=09Plainchant for the=20
=09=09=09=09=09Pictures: The Use of the=20
=09=09=09=09=09"Dies Irae" in Film Scores.
 
SHARP Michael D.=09=09=09University of Michigan
=09=09=09=09=09Adventures in the=20
=09=09=09=09=09Hypermasculine: Medieval=20
=09=09=09=09=09Scotland Goes to the Movies.
 
VALOIS Jeanne=09=09=09=09Universit=E9 Laval, Qu=E9bec
=09=09=09=09=09La communication de=20
=09=09=09=09=09l'histoire par le biais=20
=09=09=09=09=09de la f=EAte m=E9di=E9vale.
 
WILLARD Tom=09=09=09=09University of Arizona
=09=09=09=09=09Alchemical Gold: Worth=20
=09=09=09=09=09More Than Ever.
 
WILSON Robert=09=09=09=09City University of New York
=09=09=09=09=09English Storytelling --=20
=09=09=09=09=09Beowulf and Rap.

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