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ANNOUNCING THE PUBLICATION OF REEDıS NEWEST VOLUME

Sussex
Edited by Cameron Louis

514 pp / October 2000

Co-publishers

University of Toronto Press: ISBN 0-8020-4849-8  $150.00   (North America)

Brepols Publishers: ISBN  2-503-50905-3 138 Euros (Europe)


Sussex is a complete edition of primary sources concerning dramatic and
musical performance in the county of Sussex from the Middle Ages until the
time of Oliver Cromwell.  As with all Records of Early English Drama (REED)
volumes, Sussex contains introductory material situating the primary sources
in context, as well as the primary sources themselves.  Documenting the
performance of drama and music in the county of Sussex up to 1642, this
volume includes an extensive introduction, explanatory notes, glossaries,
translations, and indexes.

Although many of the civic records of Sussex have not survived, an
impressive set of documents from the important Port of Rye dating back to
the late Middle Ages still exists. The records from Rye reveal a period of
intensive dramatic activity by local and visiting players, resulting in
abrupt termination when hostile religious factions gained control of the
town government. We also have some records that reveal musical and dramatic
performance in heavily populated locations like Chichester and Lewes.

Other records such as parish accounts and ecclesiastical court proceedings
show performance and folk rituals in both small and large settlements,
including a detailed account of a Robin Hood play, an another of a cowlstaff
riding.  The book also includes records of performance at the religious
houses of Battle and Robertsbridge, and the printed accounts of the
entertainment of Queen Elizabeth at Cowdray House.  This ambitious text
complements the previous REED volumes and helps complete the picture of
performance in the areas outside of London and in the Southern counties.
Geographical and historical sketches of the county are included, with
particular emphasis on landscape, economic development, major settlements,
administrative structure, religious conflicts, networks of nobility and
gentry, religious houses, and transportation infrastructure.  Professor
Louis also visits the subject of travelling players and performance spaces,
as well as folk customs.  The records themselves are transcribed and edited,
with accompanying explanatory notes.

Cameron Louis is Professor of English at the University of Regina.


To order please contact:

University of Toronto Press
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Canada

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Outside of North America:

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FAX: +32 (14) 428 919