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And 'developed from the church liturgy' doesn't mean the same as 'liturgical plays got up and walked out of the church into the marketplace'. Ask Pamela M. King who is engaged in a major study on this. (But don't ask her at this precise moment, she's rather busy running Cumbria.) Meg T. > -----Original Message----- > From: Clifford Davidson [SMTP:[log in to unmask]] > Sent: 19 October 2001 14:35 > To: [log in to unmask] > Subject: Re: [Fwd: 12c drama] > > But still identifying the Towneley plays as "Wakefield plays," which seem > misleading in the light of recent research such as Barbara Palmer's which > identify the collection as a set of plays from the West Riding. > > Some of these things are as hard to eradicate as the popular idea that > Columbus > was the one who discovered the world was not flat. > > Clifford Davidson > > Abigail Ann Young wrote: > > > > Suzanne S Webb wrote: > > > > > > As a long-time textbook author (though in a different field), I know that > > > the best way to get things changed is to get in touch with the > > > developmental editor for the publishers of the big Brit Lit anthologies > > > like Norton and complain, complain, complain and threaten to drop an > > > adoption. > > > > > > The intro to the 2nd Play of the Shepherds in the Longman anthology > > > (which is the one I use for this very reason) is not as offensive as the > > > one in Norton. It says in the general intro to medieval lit, "The > > > fifteenth century sees the flowering of the great dramatic "mystery > > > cycles," sets of plays on religious themes produced and in part performed > > > by craft guilds of larger towns in the Midlands and North. Included here > > > is a brilliant sample, the Second Play of the Shepherds from the > > > Wakefield Plays. Probably written by clerics, these plays are nonetheless > > > dense with the preoccupations of contemporary working people and enriched > > > by implicit analgies between the lives of their actors and the biblical > > > events they portray." > > > > > > In the intro to the 2 Shep, it says, "It [medieval drama] developed not > > > from classical drama, which virtually died out in the Middle Ages, but > > > from the church liturgy." The rest of the intro to the play seems to be > > > based in large part on Kolve. > > > > > > Sue Webb > > > Texas Woman's University > > > > -- > > Abigail Ann Young (Dr), Associate Editor/Records of Early English Drama/ > > Victoria College/ 150 Charles Street W/ Toronto Ontario Canada M5S 1K9 > > Phone (416) 585-4504/ FAX (416) 813-4093/ [log in to unmask] > > List-owner of REED-L <http://www.chass.utoronto.ca/~reed/reed-l.html> > > <http://www.chass.utoronto.ca/~reed/reed.html> REED's home page > > <http://www.chass.utoronto.ca/~reed/stage.html> our theatre resource page > > <http://www.chass.utoronto.ca/~young> my home page