-------- Original Message --------
Subject: eARLY tHEATRE 8.1(2005)
Date: Fri, 13 May 2005 21:09:25 -0400
From: Dr H M Ostovich <[log in to unmask]>
Reply-To: PERFORM - Medieval Performing Arts
<[log in to unmask]>
To: [log in to unmask]
Subscription information for Early Theatre is available on our website:
www.earlytheatre.ca The table of contents for the next issue is below.
We are now looking for articles and notes for Volume 9 (2006): we
publish essays, long or short, on theatre history, performance theory,
popular culture, or interpretations of plays from the medieval and early
modern periods in England.
Early Theatre 8.1 (June 2005)
ARTICLES
Expanding the Political Nation: Gorboduc at the Inns of Court and
Succession Revisited Jessica Winston
‘If my sign could speak’: The Signboard and the Visual Culture of Early
Modern London Andrew Gordon
‘Plucking a Crow’ in The Comedy of Errors
Maureen Godman
‘Vs for to wepe no man may lett’: Accommodating Female Grief in the
Medieval English Lazarus Plays
Katharine Goodland
NOTE
Oversight as Insight: Reading The Second Shepherds’ Play as The Second
Shepherd’s Play
Michelle Ann Abate
BOOK REVIEWS
Leeds Barroll (ed), Susan Zimmerman (book review ed). Shakespeare
Studies 29 (2001).
Reviewed by Gillian Murray Kendall
Elizabeth Cary. The Tragedy of Mariam: The Fair Queen of Jewry. Ed
Stephanie Hodgson-Wright. Peterborough, Ontario: Broadview Literary
Texts, 2000.
Reviewed by Nancy A. Gutierrez
Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in
Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge
University Press, 2001.
Reviewed by Douglas Bruster
Ben Jonson. Every Man Out of His Humour. Ed Helen Ostovich. The Revels
Plays. Manchester: Manchester University Press, 2001.
Reviewed by W. David Kay
Anne Lancashire. London Civic Theatre: City Drama and Pageantry from
Roman Times to 1558. Cambridge. Cambridge: Cambridge University Press,
2002.
Reviewed by Daryll Grantley
Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to
Postmodern. Ithaca and London: Cornell University Press, 2002.
Reviewed by Stephen M. Buhler
Tristan Marshall. Theatre and Empire: Great Britain on the London Stage
under James VI and I Manchester: Manchester University Press, 2000.
Reviewed by David Baker
Thomas Middleton. Michaelmas Term. Ed Gail Kern Paster. The Revels
Plays. Manchester University Press, 2000.
Reviewed by Paul Yachnin
Richard Rastall. Minstrels Playing: Music in Early English Religious
Drama. Woodbridge, Suffolk: D.S. Brewer, 2002.
Reviewed by Joanna Dutka
Alan Shepard. Marlowe’s Soldiers: Rhetorics of Masculinity in the Age of
the Armada. Aldershot: Ashgate, 2002.
Reviewed by Mario DiGangi
Bruce R. Smith. The Acoustic World of Early Modern England: Attending to
the O-Factor. Chicago: University of Chicago Press, 1999.
Reviewed by Alan H. Nelson
Robert Weimann. Author’s Pen and Actor’s Voice: Playing and Writing in
Shakespeare’s Theatre. Ed Helen Higbee and William West. Cambridge:
Cambridge University Press, 2000.
Reviewed by Ric Knowles
--
Abigail Ann Young (Dr), Associate Editor/ Records of Early English Drama/
Victoria College/ 150 Charles Street W/ Toronto Ontario Canada
Phone (416) 585-4504/ FAX (416) 813-4093/ [log in to unmask]
List-owner of REED-L <http://www.chass.utoronto.ca/~reed/reed-l.html>
http://www.chass.utoronto.ca/~reed/reed.html => REED's home page
http://www.chass.utoronto.ca/~reed/stage.html => our theatre resource page
http://www.chass.utoronto.ca/~young => my home page
