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It would certainly interest me as a reader. -- Bill Ingram -----Original Message----- From: REED-L: Records of Early English Drama Discussion [mailto:[log in to unmask]] On Behalf Of Cecil T Ault Sent: Tuesday, March 06, 2007 1:48 PM To: [log in to unmask] Subject: Re: [Fwd: EMLS 12.3 now available] Just a quick query as I am taking students to Italy for two weeks, starting 5:00 am, tomorrow. I have early Italian texts (two plays) from which Ben Jonson took his _The Alchemist_. One is in Tuscan Italian and the other (1606) Venetian. How much he simply translated, used for text, etc. is not certain because I need to sit and study these texts. Would a paper on this subject interest you? yrs, C.T. Ault, Ph.D. On Tue, 6 Mar 2007 08:07:53 -0500 Abigail Ann Young <[log in to unmask]> wrote: > -------- Original Message -------- > Subject: EMLS 12.3 now available > Date: Mon, 05 Mar 2007 20:51:56 -0800 >From: Sean and Karine Lawrence <[log in to unmask]> > > The latest issue of Early Modern Literary Studies (12.3) is now > available online at http://purl.org/emls/emlshome.html > > The table of contents follows, below. EMLS invites contributions of > critical essays on literary topics and of interdisciplinary studies > which centre on literature and literary culture in English during >the > sixteenth and seventeenth centuries. Contributions, including >critical > essays and studies (which should be accompanied by a 250 word >abstract), > bibliographies, notices, letters, and other materials, may be >submitted > to the Editor by email at [log in to unmask] or by regular mail to >Dr > Matthew Steggle, Early Modern Literary Studies, School of Cultural > Studies, Sheffield Hallam University, Collegiate Crescent Campus, > Sheffield, S10 2BP, U.K. > > Articles: > > Is "Hand D" of Sir Thomas More Shakespeare's? Thomas Bayes and the > Elliott-Valenza Authorship Tests. [1] MacDonald P. Jackson, >University > of Auckland. > > The School of the World: Trading on Wit in Middleton's Trick to >Catch > the Old One. [2] Eric Leonidas, Central Connecticut State >University. > > Observations upon the Irish Devils: Echoes of Eire in Paradise Lost. >[3] > Maura Grace Harrington, Seton Hall University. > > Hero's Afterlife: Hero and Leander and 'lewd unmannerly verse' in >the > late Seventeenth Century. [4] Roy Booth, Royal Holloway. > > Verse, Voice, and Body: The retirement mode and women's poetry > 1680-1723. [5] Bronwen Price, Portsmouth University. > > Reviews: > > Peter McCullough. Lancelot Andrewes: Selected Sermons and Lectures. > Oxford: Oxford UP, 2005. [6] Mary Ann Lund, Mansfield College, >Oxford. > > Ben Jonson. Epicene, or The Silent Woman. Ed. Richard Dutton. > Manchester: Manchester UP, 2003. [7] Tom Lockwood, University of >Birmingham. > > Patricia Fumerton. Unsettled: The Culture of Mobility and the >Working > Poor in Early Modern England. Chicago and London: U of Chicago P, >2006. > [8] Adam Hansen, Queen's University Belfast. > > Catie Gill. Women in the Seventeenth-Century Quaker Community: A > Literary Study of Political Identities, 1650-1700. Aldershot: >Ashgate, > 2005. [9] Alison Searle, Queen Mary, University of London. > > King, John N., ed. Voices of the English Reformation: A Sourcebook. > Philadelphia: U of Pennsylvania P, 2004. Booty, John E., ed. The >Book of > Common Prayer 1559: The Elizabethan Prayer Book. Charlottesville: U >of > Virginia P for the Folger Shakespeare Library, 2005. [10] Timothy > Rosendale, Southern Methodist University. > > Jesse M. Lander. Inventing Polemic: Religion, Print, and Literary > Culture in Early Modern England. Cambridge: Cambridge UP, 2006. [11] >Ian > McAdam, University of Lethbridge. > > Armando Maggi. In The Company of Demons: Unnatural Beings, Love, and > Identity in the Italian Renaissance. Chicago and London: U of >Chicago P, > 2006. [12] Neil Forsyth, University of Lausanne. > > Daniel Vitkus. Turning Turk: English Theater and the Multicultural > Mediterranean, 1570-1630. New York: Palgrave Macmillan, 2003. [13] > Andrew Duxfield, Sheffield Hallam University. > > Harold Love. English Clandestine Satire, 1660-1702. Oxford: Oxford >UP, > 2004. [14] Tom Lockwood, University of Birmingham. > > Donna B. Hamilton. Anthony Munday and the Catholics, 1560-1633. > Aldershot, England ; Burlington, VT: Ashgate, 2005. [15] Adam H. >Kitzes, > University of North Dakota. > > Theatre reviews: > > As You Like It at the Crucible Theatre, Sheffield, 31 January - 24 >March > 2007. [16] Lisa Hopkins, Sheffield Hallam University. > > -- > Abigail Ann Young (Dr), Associate Editor/ Records of Early English >Drama/ > Victoria College/ 150 Charles Street W/ Toronto Ontario Canada > Phone (416) 585-4504/ FAX (416) 813-4093/ [log in to unmask] > List-owner of REED-L <http://www.reed.utoronto.ca/reed-l.html> > http://www.reed.utoronto.ca/ => REED's home page > http://www.reed.utoronto.ca/stage.html => our Web guide > http://www.chass.utoronto.ca/~young => my home page