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CALL FOR PAPERS: 
Sessions Sponsored by Medieval and Renaissance Drama Society


1. International Congress for Medieval Studies, Leeds: 12-15 July 2010

Beastly Drama: Animals in Early Modern Theatre
Deadline: 15 September 2009

2009, which marks the sesquicentennial of Charles Darwinıs Origin of
Species, has set off a flurry of investigations into evolution and animal
studies in various disciplines.  How do we define ourselves in relationship
to the animal/human binary, and has that definition changed since the early
modern period? This session will consider how we might interpret the
interactions of animals and humans in theatre from the 14th to 17th
centuries.  Possible topics include: staging with animals in theatres (from
bear-baitings to the sheep in The Second Shepherdıs Play to Crab in Two
Gentlemen); animals as symbolic ³others² (from ³the beast with two backs² to
Ferdinandıs lycanthropia); representations/constructions of animals in
entertainments; anthropomorphization and  hierarchical ideologies.

Please send abstracts (300-word maximum) to: Suzanne Westfall, Department of
English/Theatre, Lafayette College, Easton PA 18042  USA.



2. Modern Language Association, Philadelphia: 27-30 December 2009

Early Modern Theatre in the Contact Zone
Deadline: 15 September 2009
 
Drawing on Mary Louise Prattıs concept of ³contact zones², this session will
examine how early modern plays present situations where cultures meet to
negotiate power and to express, in rhetorical and theatrical structures, the
various tensions that inform relationships between genders, between
generations, between nationalities, between religions, and between
ethnicities.  We might consider how such differences are costumed, how
contemporary productions address problematic cultural contexts such occur in
The Taming of the Shrew, The Croxton Play of the Sacrement, and The Jew of
Malta.  Possible topics include dramatic representations of: postcolonial
negotiations, racism, anti-semitism, international relations, sexism,
ageism/jeunism.  Approaches might include queer, feminist, psychoanalytic,
anthropological, and cultural theories.

Please send abstracts (300-word maximum) to: Suzanne Westfall, Department of
English/Theatre, Lafayette College, Easton PA 18042  USA.