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Dear Sally Beth, Unfortunately as an independent scholar there's no way I could afford to go to Prague for this interesting conference. Since several of your initiatives cover the areas I study, I would like so much to be able to read any papers on those topics. Will they be published? Will at least you post the titles of the papers given and the names and contact information for those who give the papers? Many thanks, and thanks for your work with Scott McMillin on the Queen's Men, a book I refer to all the time. Stephanie Hughes On Mar 2, 2010, at 9:58 AM, Sally Beth MacLean wrote: > Hello colleagues, > > The International Shakespeare Association is now calling for > registrations and workshop participants for its 2011 conference in > Prague (see http://www.shakespeare.org.uk/files/ > ISANewsletterDec07.pdf). The > ISA organizing committee has suggested a seminar titled > 'Shakespeare after > REED' which I will be co-ordinating with Larry Manley. > > We welcome expressions of interest from researchers who might like to > participate in this session. A brief description of the session > follows this message. If you are interested, please contact me or > Prof. Manley ([log in to unmask]) -- as well as the ISA. > > The ISA deadline for registration is coming soon on 15 March. > Delegates > choose seminars at the point of registration. > > Sally-Beth (MacLean) > > ____________________________________________________ > > No. 36. Shakespeare after REED. Leaders: Sally-Beth Maclean > (University of Toronto, Canada) and Lawrence Manley (Yale University, > USA) > > During the past thirty years the Records of Early English Drama (REED) > project has published documentary evidence of entertainment in the > English provinces in a series of volumes that have contributed to > reassessment of professional theatre in the Elizabethan era. This > seminar invites papers that explore recent developments in > Shakespearean studies stimulated by fresh archival research and/or > REED initiatives in the following areas: > > -- patronage of theatre in all its forms > -- acting companies: repertory, provincial touring and London careers, > financing > -- convergence of medieval and Elizabethan dramatic style and genre > -- theatrical spaces: building types, material conditions > -- digital applications: research databases, performance texts, data > visualization > > A variety of approaches will be welcomed and need not be restricted to > Shakespeare alone, but rather can be applied more broadly to the > period of his lifetime. > ______________________________________________________ > > > ------ End of Forwarded Message