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The Medieval and Renaissance Drama Society is sponsoring a session at Leeds 2012 on the topic of "Medieval Soundscapes: Orderly and Unruly Sounds and Silences". Musicologists who have formerly had trouble with non-notated sound, are moving into theorising the ”soundscape”. We meet them as cultural historians who are engaging in some exchange which is really a formalised thought-experiment; we may know what things looked like but how did they sound? A range of performance possibilities presents itself: for example the early morning liturgy in the monastery, bells, the sound of pipe and tabor played for dancers, the preaching friar's sermon at the market cross, a proclamation, even a play. Soundscape includes everything from the highly stylised and musical to ambient noise,with a number of points between, but also with significant absences and silences. What were and/or were considered loud noises? How did people listen? Please send details of any proposed papers to me to arrive by 26 September.