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*EARLY THEATRE 16.1 (2013) Contents*

* http://digitalcommons.mcmaster.ca/earlytheatre/*

*
*

*Articles*



The Will of Simon Jewell and the Queen’s Men Tours in 1592

*            Chiaki Hanabusa*

‘This place was made for pleasure not for death’: Performativity, Language,
and Action in *The Spanish Tragedy*

*            Alexandra S. Ferretti*

Shared Borders: The Puppet in Ben Jonson’s *Bartholomew Fair*

*            Kristina E. Caton*

‘Bound up and clasped together’: Bookbinding as Metaphor for Marriage in
Richard Brome’s *The Love-Sick Court*

*            Eleanor Lowe*

Accidents Happen: Roger Barnes’s 1612 Edition of Marlowe’s *Edward II*

*            Mathew R. Martin*

Old Testament Adaptation in *The Stonyhurst Pageants*

*            J. Case Tompkins*



*Note*

Hornpipes and Disordered Dancing in *The Late LancashireWitches: *A Reel
Crux?**

*            Brett D. Hirsch*

* *

*Review Essay*

Defining Tudor Drama

*            Kent Cartwright*

* *

*Book Reviews*

John H. Astington. *Actors and Acting in Shakespeare’s Time: The Art of
Stage Playing. *Cambridge: Cambridge UniversityPress, 2010.**

*            Reviewed by Eleanor Lowe*

Janette Dillon. *Shakespeare and the Staging of English History. *Oxford:
Oxford University Press, 2011.**

*            Reviewed by Patrick J. Murray*

Christina M. Fitzgerald and John T. Sebastian (eds). *The Broadview
Anthology of Medieval Drama. *Peterborough, ON: Broadview, 2013.**

*            Reviewed by Chester N. Scoville*

Charles R. Forker (ed.). *The Troublesome Reign of John, King of
England. *Manchester:
Manchester University Press, 2011.**

*            Reviewed by Karen Oberer*

Katherine R. Larson. *Early Modern Women in Conversation. *Houndmills:
Palgrave Macmillan, 2011.**

*            Reviewed by Sarah Johnson*

Christopher Marsh. *Music and Society in Early Modern England.*Cambridge:
Cambridge University Press, 2010.**

*            Reviewed by Katherine Hunt*

Kathryn M. Moncrieff and Kathryn R. McPherson. *Performing Pedagogy in
Early Modern England: Gender, Instruction, and Performance. *Aldershot:
Ashgate, 2011.**

*            Reviewed by Yvonne Bruce*

Helen Smith. *Grossly Material Things: Women and Book Production in Early
Modern England. *Oxford: Oxford University Press, 2012.**

*            Reviewed by Christina Luckyj*

Ayanna Thompson. *Passing Strange: Shakespeare, Race and Contemporary
America. *Oxford: Oxford University Press, 2011.**

*            Reviewed by Jami Rogers*

Alden T. & Virginia Mason Vaughan. *Shakespeare in America. *Oxford: Oxford
University Press, 2012.**

*            Reviewed by Alan Andrews*

Martin Wiggins, in association with Catherine Richardson. *British Drama
1533–1642: A Catalogue. Volume I: 1533–1566. *Oxford:* *Oxford University
Press, 2012.**

*            Reviewed by Peter Happé*


-- 
Dr H M Ostovich  <[log in to unmask]>
Editor, *Early Theatre* <http://digitalcommons.mcmaster.ca/earlytheatre/>
Professor, English and Cultural Studies
McMaster University
Hamilton ON L8S 4L9
Canada