EARLY THEATRE 18.2 (2015)
This issue will be mailed out to subscribers and made available to subscribers online in December. It is our last paper issue; starting with 19.1 (2016) ET/REED will become a digital journal only. The Note and the Issues in Review section are of particular interest to scholars working on women in theatre.
Announcement of essay prize-winners
Articles
An Acoustical Approach to the Study of the Wagons of the York Mystery Plays:
Structure and Orientation
Mariana Lopez
‘Here may we se a merveyl one’: Miracles and the Psalter in the N-Town ‘Marriage
of Mary and Joseph’
Frank Napolitano
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From Court to Playhouse and Back: Middleton's Appropriation of the Masque |
Caroline Baird
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‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays |
Matteo Pangallo
Note
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‘We have this day, expell’d our Men the Stage’: Dating the Prologue and Epilogue of The Parson’s Wedding Riki Miyoshi |
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Issues in Review
Early Modern Women Theatre Makers
Contributing Editor: Elizabeth Schafer
Introduction: Attending to Early Modern Women as Theatre Makers
Elizabeth Schafer
Reproducing Iphigenia at Aulis
Alison Findlay
Performing The Tragedy of Mariam and Constructing Stage History
Ramona Wray
Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to
Modern Performance
Yasmin Arshad, Helen Hackett, and Emma Whipday
A Performance Studies Approach to The Tragedy of Mariam
Rebecca McCutcheon