*Early Theatre *is pleased to announce the publication of issue 20.1, which
includes the following articles, review essay, and book reviews:
ARTICLES
Leicester’s Men and the Lost *Telomo* of 1583
Domenico Lovascio
‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey
in Shakespeare’s *Henry VIII*
Nadia Thérèse Van Pelt
Reading the Royal Entry (1604) in/as Print
Heather C. Easterling
Material / Blackness: Race and Its Material Reconstructions on the
Seventeenth-Century English Stage
Morwenna Carr
The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’
Emanuel Stelzer
Trumpeters from China in Bristol in 1577?
Matteo Pangallo
A Possible Extension of Henslowe’s and Alleyn’s Sussex Network?
Paul Quinn
REVIEW ESSAY
Affective Inheritances
Lesel Dawson and Eric Langley
BOOK REVIEWS
Nicole R. Rice and Margaret Aziza Pappano. *The Civic Cycles: Artisan Drama
and Identity*. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.
Reviewed by Alexandra F. Johnston
Elizabeth Zeman Kolkovich. *The Elizabethan Country House Entertainment:
Print, Performance, and Gender*. Cambridge: Cambridge University Press,
2016. Pp 256.
Reviewed by Wendy Wall
Nicoleta Cinpoeş (ed.). Doing Kyd: *Essays on The Spanish Tragedy*.
Manchester: Manchester University Press, 2016. Pp 240.
Reviewed by Marianne Montgomery
W.R. Streitberger. *The Masters of the Revels and Elizabeth I’s Court
Theatre*. Oxford: Oxford University Press, 2016. Pp xv, 319.
Reviewed by Curtis Perry
Allison P. Hobgood. *Passionate Playgoing in Early Modern England*.
Cambridge: Cambridge University Press, 2014. Pp x, 236.
Reviewed by Katharine Goodland
Eoin Price. *‘Public’ and ‘Private’ Playhouses in Renaissance England: The
Politics of Publication*. London: Palgrave Macmillan, 2015. Pp x, 95.
Reviewed by Holger Schott Syme
Jerry Brotton. *This Orient Isle: Elizabethan England and the Islamic World*.
London: Allen Lane, 2016. Pp xv, 358.
Reviewed by Richard Allen Cave
Gwilym Jones. *Shakespeare’s Storms*. Manchester: Manchester University
Press, 2015. Pp xi, 198.
Reviewed by Edward J. Geisweidt
Farah Karim-Cooper. *The Hand on the Shakespearean Stage: Gesture, Touch
and the Spectacle of Dismemberment*. London: Bloomsbury, 2016. Pp 309.
Reviewed by Miranda Fay Thomas
David Crystal. *The Oxford Dictionary of Original Shakespearean
Pronunciation*. Oxford: Oxford University Press, 2016. Pp 704.
Reviewed by Sarah Grandage
Simone Chess. *Male-to-Female Crossdressing in Early Modern English
Literature: Gender, Performance, and Queer Relations*. New York: Routledge,
2016. Pp xi, 196.
Reviewed by Jennifer Panek
Rebecca Yearling. *Ben Jonson, John Marston and Early Modern Drama: Satire
and the Audience*. Basingstoke: Palgrave, 2016. Pp 223.
Reviewed by José A. Pérez Díez
Dr H M Ostovich <[log in to unmask]>
http://www.humanities.mcmaster.ca/~english/Faculty/Ostovich.html
Founding Editor, *Early Theatre* <http://earlytheatre.org/
<http://digitalcommons.mcmaster.ca/earlytheatre/>>
Series Editor, Studies in Performance and Early Modern Drama
https://www.routledge.com/performance/series/SPEMD
Series Editor, Late Tudor and Stuart Drama (
https://mip-archumanitiespress.org/series/mip/late-tudor-stuart-drama/)
Professor Emerita, English and Cultural Studies
McMaster University
Hamilton ON L8S 4L9
Canada
