Dear all,  

REED-L members may be interested in the contents of Early Theatre’s most recent issue (26.2, December 2023). 

 

Editorial – open access at https://doi.org/10.12745/et.26.2.5699 

• This Editorial summarizes Early Theatre’s expansion of its core editorial team and warmly welcomes Susan Anderson and Jamie Paris as assistant editors, and Mark Kaethler and Lauren Weindling as book review co-editors. The editors also update readers regarding new initiatives for open access distribution. 

Articles 

The York Vintners’ ‘The Marriage at Cana’ and the Puzzle of Pageants Withheld from the Register 

Leanne Groeneveld 

 

Early English Drama Records and Other Manuscripts from Coventry Destroyed Before and During the Second World War 

Krista A. Milne 

 

Performative Print: A Printing Anomaly in The Coblers Prophesie 

Frances Eastwood 

 

'Participating Immortality': Memory and Performance in Middleton's Hengist, King of Kent 

J. Gavin Paul 

 

An Edition of Jonson’s Entertainment at Britain’s Burse and a New Letter by Collier on Massinger in the Athenaeum (1857) 

Marlin E. Blaine 

Note 

Reconsidering The Battle of Hexham: A Lost Play by Barnabe Barnes? 

Misha Teramura 

Issues in Review  

Witches in Space: Introduction 

Sarah O'Malley 

 

The Devil at the Edge of this Book: Intertextual Ecologies of Early Modern Crime Narratives 

Emily George 

 

'Can you play that?': Moll's Urban Witchcraft in The Roaring Girl 

Andrew Loeb

 

‘Heaven guide him to thy husband’s cudgel’: Falstaff as Male Witch in The Merry Wives of Windsor 

Sharon Vogel Kubik 

 

Early Theatre maintains a green open access distribution policy that aligns with the UK Research Excellence Framework recommendations and Canadian TriCouncil requirements for open access. All articles, notes, and reviews published in Early Theatre become freely available to the public on earlytheatre.org after one year. For now, readers can access our most recent issue via their institutions (through ITER, Project Muse, JStor, EBSCO, or Érudit). 

-The Editors (Melinda J. Gough and Erin E. Kelly)