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Hello, I'm a new subscriber to the REED-L and a PhD student at the Grad. Drama Centre, University of Toronto. I am currently working off-campus, in New York City. My thesis is on Peter Barnes, a living English playwright, but for various reasons I foray into REED's territory as well. In the play of his on which I'm now writing, a one-act called _Leonardo's Last Supper_, one of the characters is preparing for his role in "Everyman in Hell." Is there, in fact, evidence of this "sequel," or perhaps a fragment, and if so, can anyone point me to any published sources which discuss it? Thanks in advance, Liorah Golomb [log in to unmask]