Records of Early English Drama/ Victoria College/ 150 Charles Street W Toronto Ontario Canada Phone (416) 585-4504/FAX (416) [log in to unmask] http://www.epas.utoronto.ca:8080/~reed/reed.html => REED's home page http://www.epas.utoronto.ca:8080/~reed/reed-l.html => REED-L's home page ---------- Forwarded message ---------- Date: Tue, 9 Jan 1996 21:51:02 -0500 From: Cristle Collins Judd <[log in to unmask]> To: Multiple recipients of list FICINO <[log in to unmask]> Subject: Conference: Tonal Structures in Early Music With apologies for cross-posting... TONAL STRUCTURES IN EARLY MUSIC University of Pennsylvania Department of Music March 29-30, 1996 Provisional Program ~~~~~~~~~~~~~~~~~~~ ================ Friday, March 29 ================ 1:00 Registration 2:00 FOURTEENTH- AND FIFTEENTH-CENTURY SONG "Exploring Tonal Structure in 14th-Century Polyphonic Song" Sarah Fuller (SUNY Stony Brook) "_Prenez sur moi_: the cyclical solution" Stefano Mengozzi (University of Chicago) "Tonal Procedures in Okeghem's _Prenez sur moi_ and Busnoys' _A que ville_" Mary Kathleen Morgan (Univerisity of Pennsylvania) Respondent: Leeman L. Perkins (Columbia University) 4:30 MONTEVERDI (Gary Tomlinson, Chair) "The Rhythm of the Nymph: Long-Range Motion and Coherence in Monteverdi's Lament" Linda Ciacchi (Michigan State University) "Monteverdi and Festa: Towards a Rehabilitation of Motivic Theory in Sixteenth-Century Music" Geoffrey Chew (Royal Holloway College, London) 6:30 Reception ================== Saturday, March 30 ================== 8:00 Registration, Coffee 9:00 SEVENTEENTH-CENTURY INSTRUMENTAL MUSIC (Robert Judd, Chair) "The Missing Flat: The Concept of Key in GB-Och MS 1179" Candace Bailey (Louisburg College) "Tonal Types and Modal Equivalence in Two Keyboard Cycles by Murschhauser" Michael Dodds (Eastman School of Music) "Giovanni-Maria Bononcini's Op. 6 Trio Sonatas and the State of Late 17th-Century Modal Theory in Relation to Compositional Practice" Donald Fader (Stanford University) "Applied Modality in late Seicento Instrumental Music: the theory and practices of G.C. Arresti and G.M. Bononcini" Gregory Barnett (Princeton University) 1:30 MODE AND BEYOND (Cristle Collins Judd, Chair) "The Cycle of Thirds and Tonal Coherence in Josquin des Prez's _Memor esto verbi tui_" Timothy Steele (Palm Beach Atlantic College) "Tonal Coherence and Function in Sixteenth-Century Polyphony" Wolfgang Freis (Chicago) "Internal and External Views of the Modes" Frans Wiering (Utrecht University) 4:30 ROUND TABLE AND DISCUSSION: Tonal Structures in Early Music Cristle Collins Judd (Univerisity of Pennsylvania) Jessie Ann Owens (Brandeis University) Harold Powers (Princeton University) 6:30 Conference Dinner ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ For information on registration and accommodation, please contact: Cristle Collins Judd Music Department University of Pennsylvania 201 S. 34th St. Philadelphia, PA 19104-6313 tel: (215) 898-5412 fax: (215) 573-2106 e-mail: [log in to unmask]