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Records of Early English Drama/ Victoria College/ 150 Charles Street W
Toronto Ontario Canada
Phone (416) 585-4504/FAX (416) [log in to unmask]
http://www.epas.utoronto.ca:8080/~reed/reed.html => REED's home page
http://www.epas.utoronto.ca:8080/~reed/reed-l.html => REED-L's home page
 
 
---------- Forwarded message ----------
Date: Tue, 9 Jan 1996 21:51:02 -0500
From: Cristle Collins Judd <[log in to unmask]>
To: Multiple recipients of list FICINO <[log in to unmask]>
Subject: Conference: Tonal Structures in Early Music
 
With apologies for cross-posting...
 
 
 
 
                TONAL STRUCTURES IN EARLY MUSIC
 
                  University of Pennsylvania
                     Department of Music
                      March 29-30, 1996
 
                     Provisional Program
                     ~~~~~~~~~~~~~~~~~~~
================
Friday, March 29
================
1:00  Registration
 
2:00  FOURTEENTH- AND FIFTEENTH-CENTURY SONG
 
        "Exploring Tonal Structure in 14th-Century Polyphonic
         Song"
                Sarah Fuller (SUNY Stony Brook)
 
        "_Prenez sur moi_:  the cyclical solution"
                Stefano Mengozzi (University of Chicago)
 
        "Tonal Procedures in Okeghem's _Prenez sur moi_ and
         Busnoys' _A que ville_"
                Mary Kathleen Morgan (Univerisity of Pennsylvania)
 
        Respondent:  Leeman L. Perkins (Columbia University)
 
4:30  MONTEVERDI
        (Gary Tomlinson, Chair)
 
        "The Rhythm of the Nymph:  Long-Range Motion and
        Coherence in Monteverdi's Lament"
                Linda Ciacchi (Michigan State University)
 
        "Monteverdi and Festa:  Towards a Rehabilitation of
        Motivic Theory in Sixteenth-Century Music"
                Geoffrey Chew (Royal Holloway College, London)
 
6:30  Reception
 
==================
Saturday, March 30
==================
8:00  Registration, Coffee
 
9:00  SEVENTEENTH-CENTURY INSTRUMENTAL MUSIC
        (Robert Judd, Chair)
 
        "The Missing Flat:  The Concept of Key in
        GB-Och MS 1179"
                Candace Bailey (Louisburg College)
 
        "Tonal Types and Modal Equivalence in Two Keyboard
        Cycles by Murschhauser"
                Michael Dodds (Eastman School of Music)
 
        "Giovanni-Maria Bononcini's Op. 6 Trio Sonatas and the
        State of Late 17th-Century Modal Theory in Relation to
        Compositional Practice"
                Donald Fader (Stanford University)
 
        "Applied Modality in late Seicento Instrumental Music:
        the theory and practices of G.C. Arresti and G.M.
        Bononcini"
                Gregory Barnett (Princeton University)
 
1:30  MODE AND BEYOND
        (Cristle Collins Judd, Chair)
 
        "The Cycle of Thirds and Tonal Coherence in Josquin
        des Prez's _Memor esto verbi tui_"
                Timothy Steele (Palm Beach Atlantic College)
 
        "Tonal Coherence and Function in Sixteenth-Century
        Polyphony"
                Wolfgang Freis (Chicago)
 
        "Internal and External Views of the Modes"
                Frans Wiering (Utrecht University)
 
4:30  ROUND TABLE AND DISCUSSION:
        Tonal Structures in Early Music
 
        Cristle Collins Judd (Univerisity of Pennsylvania)
        Jessie Ann Owens (Brandeis University)
        Harold Powers (Princeton University)
 
6:30  Conference Dinner
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
For information on registration and accommodation,
please contact:
 
 
                Cristle Collins Judd
                Music Department
                University of Pennsylvania
                201 S. 34th St.
                Philadelphia, PA 19104-6313
 
                tel:  (215) 898-5412
                fax:  (215) 573-2106
                e-mail:  [log in to unmask]