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About the degree to which "Mahound"-worshippers were considered to be specifically Saracen/"other"/black: I've seen a number of marginalia depicting jousting knights where one of the knights has a dark blue face. I've always thought this was meant to represent a "black" i.e., Moorish i.e., Saracen knight (would it be too hard to draw facial features on a face that had been painted black? whereas you can draw in black on dark blue?). I'm writing this away from my office, but I think that at least one of these pictures occurs in the Bodleian Roman d'Alexandre (14th c?)--the MS. that has all the marginalia of courtly recreation, including mummers. Perhaps the "blue knight" marginalia (marginalium?) is also meant to relate to mumming or other performances? Certainly a Saracen figures in various later mummers' plays, but I suppose it's dangerous to read backwards from that. Anyway, if the blue knight doesn't represent orientalism, he's sure plugging into some kind of alterity. Joyce Coleman University of North Dakota