Print

Print


I'm going to be a pain in the bum here and speak candidly about my
experience in both Canadian and American universities regarding composition.
I first became interested in composition and pedagogy when I perceived
(early in my undergraduate career at U of T), a conspicuous lack in these
areas.  This was a naive untutored response, mind you.  I actually asked my
professors where they got their pedagogical training and was summarily
dismissed as an idiot.  Later, even though I was considered to be a good
writer, I took a composition course wanting to become a better, more
confident writer, but finally had to drop it--it was a sixth course which
didn't count toward my English major or my other degree requirements and
which I was actively discouraged from completing. Personal circumstances
took me to Southern California some years later, where I found kindred
spirits in an MA program that was considered a premiere training ground for
two-year college instructors in the region. The "general academic standards"
were lower than I had experienced at Toronto, but the fact that thinking
about teaching and writing was not only accepted but encouraged won me over.

I'm now a PhD candidate at Penn State which has both high academic standards
and a sense of responsibility to teach writing and teach teaching, and am
more perplexed and dismayed than ever to find that many Canadian
universities and/or departments continue to ignore these responsibilities.
I also think (not without prejudice perhaps), that writing centers and
writing in and across the disciplines programs *should* be viewed as a
supplemental to rather than a substitute for an academic and professional
writing curriculum. The argument that Canadian universities are generally
more advanced in rhetoric and composition because they've invested in
writing centers or WAC/WID programs *rather than* composition courses is
frankly unpersuasive.

I think that rhetoric and compositionists regardless of nationality should
be working seriously toward optimal pedagogical conditions.  The best
universities--wherever--have universal curricular writing requirements,
well-developed writing centers, *and* writing across the disciplines
programs.  The "either or" argument is simply a cop out in my mind. Call me
a brain-washed, Americanized Canadian, but I'm not advocating the "American
system," I'm just trying to fight for what I see and experienced as a
distinctly *Canadian* academic and ethical problem/challenge.

This is not to say that Canadians don't have a hell of a lot to offer at the
4 C's or to the international rhet/comp community.  I just don't think we
should base our ethos on "we don't do freshman comp and we're proud of it"
and accept the status quo into the bargain.  Instead we could talk, for
example, about how we are trying to change these circumstances (if we are)
and how the need for and/or value of teaching composition can be articulated
in the new millenium, which should interest anyone in a university under
economic contraint (a pretty universal condition these days I should guess).