The following was posted on the Chaucer Listserve, but it should be of interest to the REED listserve members as well. -----Original Message----- From: Lee, BS, Brian, Mr [mailto:[log in to unmask]] Sent: Wednesday, March 03, 1999 8:50 AM To: [log in to unmask] Subject: Chester plays Towards the end of last year a perfomance of Chester plays in London was advertised on Chaucernet. Prof V. Houliston of Wits Univ. consequently attended, and wrote the following account in our local Medieval newsletter. Subscribers to Chaucernet may be interested. ______________________ Here comes the chopper Chester Plays Victor Houliston, Department of English University of the Witwatersrand On a tip from Brian Lee, I sought out a performance of plays from the Chester Cycle on a dismal London evening in early December. They were produced in St Clements' Church, Eastcheap, the original of "Oranges and Lemons". The acting troupe, the Players of St Peter, was formed in 1946 to perform annually at Christmas to celebrate the end of World War II. They have built up a tradition of using the mediaeval mystery cycles for a Christmas pageant. This time they took them from the Chester cycle, using _The Creation and Fall_, _The Ten Commandments_, Balak and Balaam_ and then plays connected with Christmas, culminating in _The Offering of the Kings_. The _The Ten Commandments_ and _Balak and Balaam_ episodes were meant to prefigure the Annunciation, it appeared. The performance itself was of a semi-professional quality, with some splendidly rendered medieval songs accompanying the action. Next to me sat a couple from All Souls', Langham Place, the famous evangelical church of John Stott. They proved to be great enthusiasts for this annual event , and encouraged me and all those sitting nearby to take an active part in the play, hissing at the devils and sighing over the Blessed Virgin. Are the roots of pantomime in mystery cycles? My evangelical neighbours also remarked how feeble, in comparison, are the contemporary church's attempts at dramatising her message. Here was a timely reminder that medieval art is not confined to the museums! ________________________ ** Brian S. Lee Department of English University of Cape Town Rondebosch, 7700 South Africa