Records of Early English Drama/ Victoria College/ 150 Charles Street W
Toronto Ontario Canada
Phone (416) 585-4504/FAX (416) [log in to unmask]
http://www.epas.utoronto.ca:8080/~reed/reed.html => REED's home page
http://www.epas.utoronto.ca:8080/~reed/reed-l.html => REED-L's home page
---------- Forwarded message ----------
Date: Tue, 9 Jan 1996 21:51:02 -0500
From: Cristle Collins Judd <[log in to unmask]>
To: Multiple recipients of list FICINO <[log in to unmask]>
Subject: Conference: Tonal Structures in Early Music
With apologies for cross-posting...
TONAL STRUCTURES IN EARLY MUSIC
University of Pennsylvania
Department of Music
March 29-30, 1996
Provisional Program
~~~~~~~~~~~~~~~~~~~
================
Friday, March 29
================
1:00 Registration
2:00 FOURTEENTH- AND FIFTEENTH-CENTURY SONG
"Exploring Tonal Structure in 14th-Century Polyphonic
Song"
Sarah Fuller (SUNY Stony Brook)
"_Prenez sur moi_: the cyclical solution"
Stefano Mengozzi (University of Chicago)
"Tonal Procedures in Okeghem's _Prenez sur moi_ and
Busnoys' _A que ville_"
Mary Kathleen Morgan (Univerisity of Pennsylvania)
Respondent: Leeman L. Perkins (Columbia University)
4:30 MONTEVERDI
(Gary Tomlinson, Chair)
"The Rhythm of the Nymph: Long-Range Motion and
Coherence in Monteverdi's Lament"
Linda Ciacchi (Michigan State University)
"Monteverdi and Festa: Towards a Rehabilitation of
Motivic Theory in Sixteenth-Century Music"
Geoffrey Chew (Royal Holloway College, London)
6:30 Reception
==================
Saturday, March 30
==================
8:00 Registration, Coffee
9:00 SEVENTEENTH-CENTURY INSTRUMENTAL MUSIC
(Robert Judd, Chair)
"The Missing Flat: The Concept of Key in
GB-Och MS 1179"
Candace Bailey (Louisburg College)
"Tonal Types and Modal Equivalence in Two Keyboard
Cycles by Murschhauser"
Michael Dodds (Eastman School of Music)
"Giovanni-Maria Bononcini's Op. 6 Trio Sonatas and the
State of Late 17th-Century Modal Theory in Relation to
Compositional Practice"
Donald Fader (Stanford University)
"Applied Modality in late Seicento Instrumental Music:
the theory and practices of G.C. Arresti and G.M.
Bononcini"
Gregory Barnett (Princeton University)
1:30 MODE AND BEYOND
(Cristle Collins Judd, Chair)
"The Cycle of Thirds and Tonal Coherence in Josquin
des Prez's _Memor esto verbi tui_"
Timothy Steele (Palm Beach Atlantic College)
"Tonal Coherence and Function in Sixteenth-Century
Polyphony"
Wolfgang Freis (Chicago)
"Internal and External Views of the Modes"
Frans Wiering (Utrecht University)
4:30 ROUND TABLE AND DISCUSSION:
Tonal Structures in Early Music
Cristle Collins Judd (Univerisity of Pennsylvania)
Jessie Ann Owens (Brandeis University)
Harold Powers (Princeton University)
6:30 Conference Dinner
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
For information on registration and accommodation,
please contact:
Cristle Collins Judd
Music Department
University of Pennsylvania
201 S. 34th St.
Philadelphia, PA 19104-6313
tel: (215) 898-5412
fax: (215) 573-2106
e-mail: [log in to unmask]
|