I suspect what Northrop Frye said about his Canadian/USAmerican students
being
90% the same, but that the 10% that differed was highly significant probably
applies to Canadian/USAmerican approaches to composition as well. But I
believe there has been some study of that 10%. My impression is that the
belletristic "Literature and Composition" course was more prominent longer in
Canada (and, in fact, was alive and well at UBC when I was there in the
late-70s). Perhaps because industrializiation was more prominent earlier in
the USA. The writings of Henry Hubert, Nan Johnson, and Roger Graves seem to
me highly relevant to this question. Among them:
Johnson, Nan. "Rhetoric and Belles Lettres in the Canadian Academy: An
Historical Analysis." College English 50.8 (December 1988): 861-73.
Graves, Roger. Writing Instruction in Canadian Universities. Winnipeg:
Inkshed, 1994.
Hubert, Henry A. Harmonious Perfection: The Development of English Studies in
Nineteenth Century Canadian Colleges. East Lansing, MI: Michigan State UP,
1994.
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